Plato, cheered up by Kira's words, begins to shine with his mischievous eyes. He understands what Kira is talking about, he shares her desire. And now he is ready to tear and throw again!

Kira sees the readiness of a civil husband and it turns her on.

Plato (with intrigue, with a spark, with undisguised sexuality). Well… you asked for it! Now hold on!

Plato passionately, a little audaciously pushes Kira away, and goes "to the starting point".

Kira is a little surprised, a little taken aback, but admires this gesture of healthy aggression and under the fading light she also returns "to the original".

Repeat the beginning. BUT!

Only now even more passionately, even more audaciously, even more openly and fiercely, but within the bounds of decency!!! Everything should be very decent, even though this production is provided for the viewer 18 +. No nudity. Yes, some role-playing costumes are allowed, but we do not bend the stick.

So, the stage is dark, empty. Charged music (the same), a few flashes of light and the passion of dance, seduction and rage rushed. And when Kira and Plato approach each other again, then again everything ends abruptly and again our heroes stand and look at each other, as if nothing had happened, without emotions, as in ordinary everyday boring life. They just keep silent, look at each other and mutually understand that… it's all wrong. You can poke our heroes in the nose here, you can scratch your leg… It seems to be a completely illogical situation, but in fact it is explicable.

Plato (restrained, calm, without emotion). Bullshit… it's all bullshit, it's all wrong.

Kira (agreeing without emotion). Uh-huh …

our heroes walk calmly to the bed, sit on it and, leaning on their hand, propping their chin, sit, gloomily looking into the auditorium.

Silence, peace. We pause for about five seconds.

Kira (speaks to Plato, but looks thoughtfully into the auditorium, speaks without emotion). You know… We're probably overeager… In an emotional sense, I mean. In a sense, everything is similar with us… well, as with food. When you eat a lot of delicious things, then you just can't surprise yourself with anything. You no longer feel the sharpness of sensations, the bliss that was once from a simple piece of bread. Feelings are dulled… sensations are dulled… the sharpness of taste is lost and there is no passionate desire… which a hungry person has. That's the same in passion, the same in life. Somehow everything… everything is very, very great, but apparently there is too much of this "great". It looks like we're getting stuffed.

Kira turns to Plato, who also looks emotionlessly into the hall.

Kira (turning to Plato, with interest). What do you think?

Plato (restrained, calm, without emotion, not looking at Kira, looking into the hall). I think you're just oh…

as if coming to your senses and continuing to speak, already looking at Kira

Plato (to Kira, with the presence of natural emotions). She cooled down a little towards me. A year of living together is a kind of milestone that not everyone can stand. This is a period of crisis that just needs to be experienced… if, of course, it is necessary. (Asks very seriously) Do you need it?

Kira jerks her head in surprise with indignation, gets out of bed, moves a little to the side and, summarizing the year they lived together, gives her verdict.

Kira (seriously, turning to Plato). Listen…, yes! Yes, everything was not always good between us. We quarreled, we reconciled. They moved away and moved in. And you and I don't have the most accommodating character, but! But listen to what I'm going to tell you, Plato! I declare to you with all responsibility that if I had a choice now, to go the same way with you, or some other, but without you, then I would wish to go this way again, with you! Do you hear? It would be my conscious choice, knowing that there will be disagreements and squabbles, but I love you and I want to be with you.

Kira changes her attitude and serve. Her manner of speaking becomes playfully aggressive, it is clear that the girl has caught fire, and Plato sees this. He already understands what all this is going to and is even getting ready, sitting further away and more comfortably on the bed.

Kira (boldly, with a spark, with passion). So you are my conscious choice. Tomorrow we are going to apply to the registry office, and today I will shake the last of your strength out of you, regardless of whether you want it or not! (As audaciously as possible and as emotionally, passionately as possible) So pray if you want to to all your gods, but you won't be able to make it tonight!!!

Sounds the loudest audacious charged music (the same), the light is dimmed, but at the same time everything is clearly visible on stage.

Kira furiously runs to the bed, on which a ready-made Plato is already waiting for her. Kira boldly jumps on top of him, but somehow manages to fall awkwardly, so that the heroes bump their heads hard.

This episode should be played very carefully, it is necessary to show the viewer very clearly this moment of unplanned and unexpected by Kira and Plato a strong blow with their heads. Perhaps it makes sense to apply some kind of sound impact effect in order to attract additional attention of the audience to this moment.

The music stops abruptly at the moment of impact, Kara and Plato cry out in pain, both holding their heads, each for his own. Kira, gasping, groaning and squinting in pain, barely gets out of bed, but after taking a couple of steps, falls the same on the floor and loses consciousness.

Plato, seemingly overcoming the pain, tries to get off the bed to help Kira, lift her up, but he loses consciousness and passes out there on the bed, not having had time to get off her.

ZTM.