There are some exclamations, discussion of news, someone congratulates someone on something.

Konstantin is standing at the counter, looking at something on the phone.

Anna appears in the corridors of the store.

Examines critically environment (people).

ANIA. Nothing interesting, except shopping for me today, it seems, does not promise.

Pay attention to the guy.

ANIA. Pretty. Is worth, about than something thinks. Let me pass.

Passes. Constantine does not notice her.

ANIA. Not looking, parasite. What steel or what? Nothing. Now, I'll make the neckline looser, pull up the skirt higher.

Pulls up her skirt, straightens her hair, tries to highlight herself more effectively.

He passes by again, his heels clinking and his hips wagging horribly.

From his pocket, Anya drops the keychain with the keys, but she doesn't notice.

ANIA. Well? Saw? That's it.

Konstantin pays attention to the keychain that has fallen near him, then looks at the past lady and again buries his attention in the phone.

ANYA (drawing attention to the short effect). And-Ah, far again snout turned away. I don't understand, is he gay? But… Oh , everything is clear. Where the world is going.

Anya waves her hand, realizing the hopelessness of the situation and is about to leave, when suddenly she hears a pleasant voice behind her.

CONSTANTINE. Girl, I'm sorry…

He picks up the key chain and walks over to her.

ANNA (without turning around). Aaa… that's it. Got you, darling. Males! But others were not brought to this world. Okay, I'll let him enjoy himself a little, and then we'll see.

Turns to the guy.

CONSTANTINE. You dropped it, take it.

ANYA (speaking softly to the spectator). Seem to have too much hips, it was necessary to wag not so self-denial.

Constantine stands in front of Anya as Apollo.

He is handsome, slender, proud of himself, beautiful and modest at the same time.

ANYA (with a childish smile radiating Holy simplicity). thank you.

Constantine smiles modestly and goes about his business without making another sound.

ANYA (in a whisper, disappointed). Hey, wait! Is that all? What, you can't even ask for a phone.

Constantine leaves.

ANIA. Curious character caught. They sell clothes over there, there must be mirrors. I'm gonna go see if there's anything wrong with me. Maybe his nose was smeared with soot. Why did he jump off? I don't remember that. Cute, contagious.

He finds a mirror in the aisles and approaches it.

ANIA. No, no soot. Quite a lady-candy. So it was him. Contagious, cute. All right.

3. AT THE ENTRANCE

Anna returned from work and finds his entrance, the guy from the store says goodbye to a lady.

Constantine kisses her on the cheek and bids her a warm farewell.

His companion enters the entrance, Konstantin remains.

ANIA. But… so this, then, is the new neighbor. Natasha with forty-fifth apartment told, that a man some stopping by on floor. We're neighbors now. Wondrously. What was that MOP with him now? Mom, probably. No, he didn't kiss my mother. Is that his girlfriend? Or God forbid – wife?

Anya begins to remember something.

ANIA. Okay, wait. How old is he?" Natasha said that a family of forty years old was coming. Is he forty or something? Him? Forty? Him?

Expresses extreme surprise and disappointment.

ANIA. He looks twenty-five…, six…, seven. Well, thirty… two… three… not forty! Why do men age less clearly? Ah, cute, a disease.

Constantine passes by Anya, going on business.

Meanwhile, the new neighbor passed by.

CONSTANTINE (ane). Good afternoon.

ANYA (dismissing the lowest reverence and devotion). Hello.

Constantine passes, with no intention of continuing the dialogue.

ANYA (in lack of understanding). I'm wearing the same clothes I was wearing when we met. He couldn't help but recognize me. People like me don't forget. Something was wrong with him. Okay, we'll figure it out. Not like the Brest fortress took!

Comes to the entrance with a cunning plan on his face.

4. AT THE ENTRANCE

Next morning.